For those unfamiliar, Nancy Cunard was an English writer, heiress and political activist, the daughter of Gilded Age heiress Maud Alice Burke and British heir Sir Bache Cunard. Although born into the upper class, she jilted her family's material values, devoting much of her life to fighting both racism and fascism.
Over the course of her life, she became a muse to numerous writers and artists, most notably Aldous Huxley, Ernest Hemingway, Ezra Pound, James Joyce, Langston Hughes, Man Ray and William Carlos Williams, several of whom were her lovers.
Cunard experienced the Modernist, Surrealist and Dada movements of 1920s Paris directly, a time during which much of her published poetry was written. In 1927, she left the bustle of Paris for a quiet farmhouse in Normandy where she established the Hours Press publishing house. Her inheritance allowed her to support experimental poetry and gave rise to a higher-paying market for writers.
Soon after, she met African-American jazz musician Henry Crowder, who had been working in Paris at the time. She eventually struck up an intimate relationship with him that took her to Harlem and prompted her involvement in racial politics and civil rights in the US.
Their relationship also inspired Cunard's unique style, which was heavily influenced by African culture. This was unconventional for the time, and unfortunately sparked public ridicule. Although her over-sized bangles elicited a media frenzy against her, photographers of the day looked to her Cubist jewelry for inspiration. Eventually, the fashion world came to embrace her personal style, deeming it "avant-garde."